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The last version, SoundEdit 16 version 2, is fairly easy to find on the used market not only was it sold alone, but it was included in the Macromedia Director Multimedia Bundle. Its first version was bundled with MacRecorder. SoundEdit 16 by Macromedia is practically a legend. Link: Benjamin Rogalsky’s Guide to Sound Designer II SoundEdit 16
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The upside of all this is that if you register your DigiDesign hardware, you’re entitled to the software for free. Unfortunately, it requires DigiDesign hardware and an authorizer diskette.
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The last version, 2.8.3, supports older 680×0-based Macintoshes as well as PowerPC Macs running up to Mac OS 8.6. Sound Designer II is the grand dame of all the Macintosh sound editing software packages. Stereo Effects / Sample Editing Sound Designer II You’re sure to be able to find a version to suit your hardware and software requirements.Ĭheck out the official forums and the unofficial forums for more current and historical information. The current version is available and popular for use on Mac OS X and the newest Macintosh computers. Newer versions support much the same feature set as Deck/Metro on Power Macintosh computers. Earlier versions support 680×0-based Macs but predate VST plugin technology and so do not support realtime audio effects. As inventor of the VST and ASIO plugin standards, Steinberg has included strong support for these technologies in Cubase.Ĭubase has been around since the early 1990s, so there are many versions to choose from. MIDI editing is accomplished using a built-in MIDI sequencer. CubaseĬubase provides an integrated multitrack audio and MIDI environment. It’s a good choice for PCI Power Mac users. The current version, 3.5, is still available from BIAS. Version 3.0 and above support VST plug-ins in realtime and require a Power Mac and Mac OS 8.6+. Versions 2.6.3 thru 3.5 are produced by BIAS. System 7.1+ is required, and Adobe Premier-format plug-ins are supported. Versions between 2.5 and 2.6.1 were produced by Macromedia and are good choices for 680×0 Macs and NuBus Power Macs. Included are several real-time effects for Power Mac users: Parametric EQ, Graphic EQ, Chorus, Delay, and Multitap. All systems support synchronized MIDI OSC Metro is the optimal sequencer to use with Deck, but any MIDI application will work. I’m sure a dual-processor or G3/G4 upgraded 8500 could provide 32 or more. Quadra 840AV users can expect 8 tracks of audio, PowerBook 5300 users get only 2 to 4, and my powerful Power Mac 8100-based system can handle 24+. (Most Power Macs come with CD-quality sound built in) 680×0 Macs with CD-quality audio I/O (such as the Quadra 660av and 840av) are supported, as well as most Power Macs. Deck IIĭeck II offers more features than ProTools without extra NuBus or PCI cards. It also supports a limited number of real-time audio effects plug-ins. While it supports only 8 tracks of audio, it features an integrated MIDI sequencer and better compatibility with newer ProTools versions. ProTools Free is also a great choice for users with newer Power Macs running Mac OS 8.6 and up.
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For more information and to download the software, see Adam Rosen’s article Using ProTools Free 3.4 with Older Macs. While feature-poor compared to the competition, ProTools 3.4 is a reliable way to replace that awful 4-track cassette machine with 16 tracks of Macintosh goodness.
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No realtime or offline effects are available without DigiDesign TDM hardware. MIDI can be incorporated but requires an external sequencer application. ProTools 3.4’s functionality is very basic. ProTools v3.4 supports up to 16 tracks on Power Macs and works great on 680×0 Macs that have DigiDesign NuBus cards. Red is for commercial software you’ll need to purchase a license. Green titles represent freeware and shareware. I’ll use italics to indicate software that requires a newer, PowerPC based Macintosh. This list is not exhaustive, but it is a good starting point for putting these classic Macs back into use. Here’s some quality free and low-cost software choices to make these Macs useful again. The creation of Farallon MacRecorder Iin 1987 brought recording to mainstream users, and the Macintosh never looked back.Įarly Power Macs have ample speed and quality sound I/O built-in, and 680×0-based Macs can join in with DigiDesign (now Avid) NuBus expansion cards.
Macintosh computers have been involved in music and audio since their introduction. 2006: Classic Mac audio software: Free and low-cost ways for vintage and classic Macs to perform in the studio.
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